Dual-projector setups, synchronized flat-panel displays, sanctuary sound — installed across three Tri-State congregations. Vaulted ceilings, stained glass, and 19th-century millwork get to stay exactly where they are. The AV goes in around the architecture, not through it.
Each of these worship spaces had the same fundamental ask — visible-from-the-back-pew video for hymn lyrics, sermon notes, and announcements, plus reliable sanctuary audio. Each space also had non-negotiable architecture: vaulted plaster ceilings, exposed wood beams, stained glass, original millwork that nobody wants to disturb.
We design each install around the room rather than around the gear catalog. Dual ceiling-mounted projectors at one church. Wall-mounted flat panels with synchronized content at another. A single mixing board where it makes sense. Different geometry every time, same KISS spec philosophy: install it well, leave it alone.
The screens in the photo above go on the side walls because the side walls are where they make sense for that sanctuary — you don’t block the altar and you don’t fight the central stained glass. Cabling runs through existing chases, through the choir loft, behind the existing soffits. Wall speakers go where the sight lines and the architecture both agree.
Same approach across all three congregations. Different rooms, different answers, same install standard.
